By Frederic Ewen
Selection amazing educational identify for 2008A Half-Century of Greatness paints a brilliant and dramatic photograph of the artistic considered mid- to past due 19th century Europe and the impression of the unsuccessful revolutions of 1848. It unearths frequently unforeseen hyperlinks among novelists, poets, and philosophers from England, Germany, Austria, Hungary, Russia, and Ukraine—especially Dickens, Carlyle, Mill, the Brontës, and George Eliot; Hegel, Strauss, Feuerbach, Marx, Engels, Wagner, and a number of other German poets; the Hungarian poet Sándor Petöfi; Gogol, Dostoevsky, Bakunin, and Herzen in Russia, and the nice Ukrainian poet Shevchenko. Ewen is going directly to hint the transition from Romanticism to Victorianism, or what he calls “the Victorian compromise”—the ascendancy of the center class.The publication used to be reconstructed and edited via Dr. Jeffrey Wollock from Ewen’s ultimate manuscript. It comprises the author's personal reference citations all through, a reconstructed bibliography, and an up to date “further studying” list.This is Ewen’s final paintings, the long-lost better half to his Heroic mind's eye. jointly, those books current a landscape of the social, political, and inventive facets of eu Romanticism, specifically foreshadowing and complementing fresh paintings at the relation of Marxism to romanticism. an individual drawn to what Lukacs known as “Romantic anticapitalism,”; who appreciates such books as Marshall Berman's Adventures in Marxism or E.P. Thompson's The Romantics (1997), will locate Ewen’s paintings a welcome boost.
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Additional info for A Half-Century of Greatness: The Creative Imagination of Europe, 1848-1884
With repugnance 24 e n g l a n d a t t h e g r e a t d i v i d e he turns away from the ideal of a business career in order to nourish his own great passion—the theatre. ” Wilhelm becomes the protector of the strange Italian girl, Mignon, and befriends her mysterious companion the Harpist. He associates freely with actors and actresses and learns something of their exciting but precarious existence. Wilhelm’s friend Werner, the thoroughgoing Philistine, and a bourgeois merchant, adjures him to turn to a settled career.
The times were beckoning for signiﬁcant speech and action. He was well aware of the sad economic plight of the Scottish farmer and worker. He had seen the inside of factories, and had been appalled. He had been amazed at the advances in technology—and affrighted at the sight of the workers. In 1824 he had visited Birmingham. I was one day thro’ the iron and coal works of this neighborhood—a half-frightful scene! A space perhaps 30 square miles to the north of us, covered with furnaces, rolling mills, steam-engines and sooty men.
But in America it received warm recognition, and here it was published in book form in 1836. Ralph Waldo Emerson, principal instigator of the publication, also wrote a preface for it, left unsigned. It was not until 1838, Carlyle’s French Revolution having now taken England by storm, that Fraser ventured to issue Sartor Resartus in book form and it came into its own. There were good reasons for the failure of Sartor Resartus on its ﬁrst appearance. Its style struck out recklessly, full of rhetorical heresies.
A Half-Century of Greatness: The Creative Imagination of Europe, 1848-1884 by Frederic Ewen