By D. Soyini Madison
Madison offers the ignored but compelling and important tale of neighborhood activists in South Saharan Africa who hire modes of functionality as strategies of resistance and intervention of their daily struggles for human rights. The dynamic courting among functionality and activism are illustrated in 3 case experiences: Act One provides a conflict among culture and modernity because the our bodies of African ladies are stuck within the cross-fire. Act makes a speciality of 'water democracy' as activists struggle for secure, obtainable public water as a human correct. Act 3 examines the efficacy of highway functionality and theatre for improvement within the oral histories of Ghanaian gender activists. specific to this publication is the continued juxtaposition among the standard performances of neighborhood activism and their staged enactments ahead of theatre audiences in Ghana and the united states. Madison superbly demonstrates how those disparate websites of functionality cohere within the provider of rights, justice, and activism.
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Additional info for Acts of Activism: Human Rights as Radical Performance (Theatre and Performance Theory)
I appropriated the phrase “aesthetic spectatorship” from hearing Susan Sontag in a radio interview. 48. In a recent interview on the Public Broadcasting System, Howard Zinn deﬁned the word “radical” based on a line from his play Marx in Soho. ” 49. Kershaw, The Radical in Performance, p. 7. 50. Di Leonardo, “New Global and American Landscapes of Inequality,” p. 6. 51. Blau and Moncada, Human Rights, p. 220. 52. Ibid. 53. Ibid. 54. The population at Legon has tripled. 55. ” 56. Riggs, “Akwaaba! Welcome to Ghana,” pp.
The girl is carrying a large bucket of water half her size on her head. The reporter asks her why she was sent to the shrine. The little girl, frightened and in despair, does not speak. The reporter asks if she wants to live in the shrine. ” We discover the little girl is condemned to the shrine in atonement for her uncle who committed adultery. ” The reporter now interviews a shrine priest. The priest wears a cone-shaped hat made of a 34 Is it a human being or a girl? 35 straw material, a cord is tied around his neck and hangs down his chest like a necklace, a white cloth is draped over his left shoulder, and he holds what resembles a wand of straw raﬃa.
On the blackboard, the class had listed the demands of the strike alongside tenets of neoliberalism and concepts of postcolonial theory. We then drew lines connecting the lists to descriptions of empire and citizenship. After looking at all the scribbling, one of the young men asked why I was teaching at Legon. ” Intuitively I began to slowly read a few concepts from the board. ” asked one young man earnestly. ” said another more deﬁantly. Then one of the young strikers, whom I had met months earlier through his brother – a friend whom I worked with on a water democracy project – interrupted the questions and simply said to the others, “Okay, let’s go.
Acts of Activism: Human Rights as Radical Performance (Theatre and Performance Theory) by D. Soyini Madison