Download PDF by David W. Galenson: Artistic Capital

By David W. Galenson

ISBN-10: 020370004X

ISBN-13: 9780203700044

ISBN-10: 0415701708

ISBN-13: 9780415701709

At what degree in their careers do nice artists produce their most crucial paintings? In a chain of reviews that carry new insights and new dimensions to the learn of creative creativity, Galenson’s new ebook examines the careers of multiple hundred sleek painters, poets and novelists to bare a robust dating among age and creative creativity.

Analyzing the careers of significant literary and creative figures, corresponding to Cézanne, van Gogh, Dickens, Hemingway and Plath, Galenson highlights different equipment during which artists have made options.

Pointing to a brand new and richer background of the fashionable arts, this book is of curiosity, not just to humanists and social scientists, yet to an individual drawn to the character of human creativity in general.

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Sample text

The same might equally be true of the study of art history. It is consequently to be hoped that this demonstration of the value of quantification in a discipline in which it has been sorely neglected will not only inspire more scholars to bring quantitative methods to bear on art history, but will also prompt others to devote greater efforts to producing more considered and insightful criticisms of their results. ”2 Yet Rosenblum’s belief is mistaken. As in other disciplines, quantitative evidence in art history has proven useful not only for constructing explanations, but for identifying problems to be explained.

Manet produced two of modern art’s most celebrated paintings at the age of 31; these dramatic innovations of a young painter clearly identify him as a conceptual innovator. But the quantitative evidence might not point as clearly to the categorization of two of the most important painters considered in this study. The earlier of these is Claude Monet. 6, for a five-year period that began when he was under 30. 1) made up by illustrations of paintings from the periods identified here. 38 Evidence from art historians quintessentially an experimental innovator.

See text and Appendix for description. 2. Marcel Duchamp. It is striking that a painter who ranks only nineteenth in total illustrations has two paintings among the greatest nine individual works in modern French art, while no less than 12 artists who rank above Duchamp in total illustrations have none. Why did some of the greatest masters not produce the most often illustrated masterpieces? Why were some of the most important masterpieces produced by painters who do not rank among the greatest masters?

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Artistic Capital by David W. Galenson

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